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Authors: Haruki Murakami

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BOOK: Vintage Murakami
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Ehf
[Yes],” concurs Shizuko with a nod.

“And where do you want to go?” I ask.

“Ii-yu-nii-an
.

This no one understands, but with a bit of trial and error it becomes clear she means “Disneyland.”

“Ehf,”
says Shizuko with an emphatic nod.

It’s not easy to associate “travel” with “Disneyland.” Anyone who lives in Tokyo would not generally consider an outing to Tokyo Disneyland “travel.” But in her mind, lacking an awareness of distance, going to Disneyland must be like some great adventure. It’s no different, conceptually, than if we were to set out, say, for Greenland. For a fact, going to Disneyland would be a more difficult undertaking for her in practice than for us to travel to the ends of the earth.

Tatsuo’s two children—eight and four—remember going to Tokyo Disneyland with their auntie and tell her about it each time they visit the hospital: “It was really fun,” they say. So Disneyland as a place has become fixed in her mind as something like a symbol of freedom and health. Nobody knows if Shizuko can actually remember having been there herself. It may only be a later implanted memory. After all, she doesn’t even remember her own room where she lived for so long.

Real or imaginary, however, Disneyland is a distinct place in her mind. We can get close to that image, but we can’t see the view she sees.

“You want to go to Disneyland with the whole family?” I ask her.

“Ehf,”
says Shizuko perkily.

“With your brother and sister-in-law and the kids?”

She nods.

Tatsuo looks at me and says, “When she can eat and drink normally with her mouth instead of that tube through her nose, then maybe we can all drive together to Disneyland again.” He gives Shizuko’s hand a little squeeze.

“I hope that’s very very soon,” I tell Shizuko.

Shizuko gives another nod. Her eyes are turned in my direction, but she’s seeing “something else” beyond me.

“Well, when you get to Disneyland, what ride will you go on?” Tatsuo prompts.

“ ‘Roller coaster’?” I interpret.

“Space Mountain!” Tatsuo chimes in. “Yeah, you always did like that one.”

That evening when I visited the hospital, I’d wanted somehow to encourage her—but how? I’d thought it was up to me, but it wasn’t that way at all; no need even to think about giving her encouragement. In the end, it was she who gave
me
encouragement.

In the course of writing this book, I’ve given a lot of serious thought to the Big Question: what does it mean to be alive? If I were in Shizuko’s place, would I have the willpower to live as fully as she? Would I have the courage, or the persistence and determination? Could I hold someone’s hand with such warmth and strength? Would the love of others save me? I don’t know. To be honest, I’m not so sure.

People the world over turn to religion for salvation. But when religion hurts and maims, where are they to go for salvation? As I talked to Shizuko I tried to look into her eyes now and then. Just what did she see? What lit up those eyes? If ever she gets well enough to speak unhindered, that’s something I’d want to ask: “That day I came to visit, what did you see?”

But that day is still far off. Before that comes Disneyland.

—Translated by Alfred Birnbaum and Philip Gabriel

HONEY PIE

1

“So Masakichi got his paws full of honey—way more honey than he could eat by himself—and he put it in a bucket, and do-o-o-wn the mountain he went, all the way to the town to sell his honey. Masakichi was the all-time Number One honey bear.”

“Do bears have buckets?” Sala asked.

“Masakichi just happened to have one,” Junpei explained. “He found it lying in the road, and he figured it would come in handy sometime.”

“And it did.”

“It really did. So Masakichi the Bear went to town and found a spot for himself in the square. He put up a sign:
Deeelicious Honey. All Natural. One Cup ¥ 200.

“Can bears write?”

“No, of course not,” Junpei said. “There was a nice old man with a pencil sitting next to him, and he asked
him
to write it.”

“Can bears count money?”

“Absolutely. Masakichi lived with people when he was just a cub, and they taught him how to talk and count money and stuff. Anyway, he was a very talented bear.”

“Oh, so he was a little different from ordinary bears.”

“Well, yes, just a little. Masakichi was a kind of special bear. And so the other bears, who weren’t so special, tended to shun him.”

“Shun him?”

“Yeah, they’d go like, ‘Hey, what’s with this guy, acting so special?’ and keep away from him. Especially Tonkichi the tough guy. He really hated Masakichi.”

“Poor Masakichi!”

“Yeah, really. Meanwhile, Masakichi
looked
just like a bear, and so the people would say, ‘OK, he knows how to count, and he can talk and all, but when you get right down to it he’s still a bear.’ So Masakichi didn’t really belong to either world—the bear world or the people world.”

“Poor, poor Masakichi! Didn’t he have any friends?”

“Not one. Bears don’t go to school, you know, so there’s no place for them to make friends.”


I
have friends,” Sala said. “In preschool.”

“Of course you do,” Junpei said.

“Do
you
have friends, Jun?” “Uncle Junpei” was too long for her, so Sala just called him “Jun.”

“Your daddy is my absolute bestest friend from a long, long time ago. And so’s your mommy.”

“It’s good to have friends.”

“It
is
good,” Junpei said. “You’re right about that.”

Junpei often made up stories for Sala when she went to bed. And whenever she didn’t understand something, she would ask him to explain. Junpei gave a lot of thought to his answers. Sala’s questions were always sharp and interesting, and while he was thinking about them he could also come up with new twists to the story.

Sayoko brought a glass of warm milk.

“Junpei is telling me the story of Masakichi the bear,” Sala said. “He’s the all-time Number One honey bear, but he doesn’t have any friends.”

“Oh really? Is he a big bear?” Sayoko asked.

Sala gave Junpei an uneasy look. “Is Masakichi big?”

“Not so big,” he said. “In fact, he’s kind of on the small side. For a bear. He’s just about
your
size, Sala. And he’s a very sweet-tempered little guy. When he listens to music, he doesn’t listen to rock or punk or that kind of stuff. He likes to listen to Schubert all by himself.”

Sayoko hummed a little “Trout.”

“He listens to music?” Sala asked. “Does he have a CD player or something?”

“He found a boom box lying on the ground one day. He picked it up and brought it home.”

“How come all this stuff just happens to be lying around in the mountains?” Sala asked with a note of suspicion.

“Well, it’s a very, very steep mountain, and the hikers get all faint and dizzy, and they throw away tons of stuff they don’t need. Right there by the road, like, ‘Oh man, this pack is so heavy, I feel like I’m gonna die! I don’t need this bucket anymore. I don’t need this boom box anymore.’ Like that. So Masakichi finds everything he needs lying in the road.”

“Mommy knows just how they feel,” Sayoko said. “Sometimes you want to throw everything away.”

“Not
me
,” Sala said.

“That’s ’cause you’re such a greedy little thing,” Sayoko said.

“I am
not
greedy,” Sala protested.

“No,” Junpei said, finding a gentler way to put it: “You’re just young and full of energy, Sala. Now hurry and drink your milk so I can tell you the rest of the story.”

“OK,” she said, wrapping her little hands around the glass and drinking the warm milk with great care. Then she asked, “How come Masakichi doesn’t make honey pies and sell them? I think the people in the town would like that better than just plain honey.”

“An excellent point,” Sayoko said with a smile. “Think of the profit margin!”

“Ah, yes, creating new markets through value added,” Junpei said. “This girl will be a real entrepreneur someday.”

I T was almost two A.M. by the time Sala went back to bed. Junpei and Sayoko checked to make sure she was asleep, then shared a can of beer at the kitchen table. Sayoko wasn’t much of a drinker, and Junpei had to drive home.

“Sorry for dragging you out in the middle of the night,” she said, “but I didn’t know what else to do. I’m totally exhausted, and you’re the only one who can calm her down. There was no way I was going to call Takatsuki.”

Junpei nodded, took a slug of beer, and ate one of the crackers on the plate between them.

“Don’t worry about me,” he said. “I’m awake till the sun comes up, and the roads are empty this time of night. It’s no big deal.”

“You were working on a story?”

Junpei nodded.

“How’s it going?”

“Like always. I write ’em. They print ’em. Nobody reads ’em.”


I
read them.
All
of them.”

“Thanks. You’re a nice person,” Junpei said. “But the short story is on the way out. Like the slide rule. Anyhow, let’s talk about Sala. Has she done this before?”

Sayoko nodded.

“A lot?”

“Almost every night. Sometime after midnight she gets these hysterical fits and jumps out of bed. She can’t stop shaking. And I can’t get her to stop crying. I’ve tried everything.”

“Any idea what’s wrong?”

Sayoko drank what was left of her beer, and stared at the empty glass.

“I think she saw too many news reports on the earthquake. It was too much for a four-year-old. She wakes up at around the time of the quake. She says a man woke her up, somebody she doesn’t know. The Earthquake Man. He tries to put her in a little box—way too little for anyone to fit into. She tells him she doesn’t want to get inside, but he starts yanking on her arm—so hard her joints crack—and he tries to stuff her inside. That’s when she screams and wakes up.”

“The Earthquake Man?”

“He’s tall and skinny and old. After she’s had the dream, she goes around turning on every light in the house and looks for him: in the closets, in the shoe cabinet in the front hall, under the beds, in all the dresser drawers. I tell her it was just a dream, but she won’t listen to me. And she won’t go to bed until she’s looked everywhere he could possibly hide. That takes at least two hours, by which time I’m wide awake. I’m so sleep-deprived I can hardly stand up, let alone work.”

Sayoko almost never spilled out her feelings like this.

“Try not to watch the news,” Junpei said. “Don’t even turn on the TV. The earthquake’s all they’re showing these days.”

“I almost never watch TV anymore. But it’s too late now. The Earthquake Man just keeps coming. I went to the doctor, but all he did was give me some kind of sleeping pill to humor me.”

Junpei thought for a while.

“How about we go to the zoo on Sunday? Sala says she wants to see a real bear.”

Sayoko narrowed her eyes and looked at him. “Maybe. It just might change her mood. Let’s do it—the four of us. It’s been ages. You call Takatsuki, OK?”

JUNPEI was thirty-six, born and bred in the city of Nishinomiya, Hyogo Prefecture, a quiet residential area in the Shukugawa district. His father owned a pair of jewelry stores, one in Osaka, one in Kobe. He had a sister six years his junior. After a time at a private high school in Kobe, he entered Waseda University in Tokyo. He had passed the entrance exams in both the business and the literature departments. He chose the literature department without the slightest hesitation and told his parents that he had entered the business department. They would never have paid for him to study literature, and Junpei had no intention of wasting four precious years studying the workings of the economy. All he wanted was to study literature, and then to become a novelist.

At the university, he made two friends, Takatsuki and Sayoko. Takatsuki came from the mountains of Nagano. Tall and broad-shouldered, he had been the captain of his high-school soccer team. It had taken him two years of studying to pass the entrance exam, so he was a year older than Junpei. Practical and decisive, he had the kind of looks that made people take to him right away, and he naturally assumed a leadership role in any group. But he had trouble reading books; he had entered the literature department because its exam was the only one he could pass. “What the hell,” he said in his positive way. “I’m going to be a newspaper reporter, so I’ll let them teach me how to write.”

Junpei did not understand why Takatsuki had any interest in befriending him. Junpei was the kind of person who liked to sit alone in his room reading books or listening to music, and he was terrible at sports. Awkward with strangers, he rarely made friends. Still, for whatever reason, Takatsuki seemed to have decided the first time he saw Junpei in class that he was going to make him a friend. He tapped Junpei on the shoulder and said, “Hey, let’s get something to eat.” And by the end of the day they had opened their hearts to each other.

Takatsuki had Junpei with him when he adopted the same approach with Sayoko. He tapped her on the shoulder and said, “Hey, how about the three of us get something to eat?” And so their tight little group was born. Junpei, Takatsuki, and Sayoko did everything together. They shared lecture notes, ate lunch in the campus dining hall, talked about their future over coffee between classes, took part-time jobs at the same place, went to all-night movies and rock concerts and walked all over Tokyo, and drank so much beer they even got sick together. In other words, they behaved like first-year college students the world over.

Sayoko was a real Tokyo girl. She came from the old part of town where the merchant class had lived for centuries, and her father ran a shop selling the exquisite little accessories that went with traditional Japanese dress. The business had been in the family for several generations, and it attracted an exclusive clientele that included several famous Kabuki actors. Sayoko had two elder brothers. The first had been groomed to inherit the shop, and the second worked in architectural design. She had graduated from an exclusive girls’ prep school, entering the literature department of Waseda with plans to go on to graduate school in English Literature, and ultimately to an academic career. She read a lot, and she and Junpei were constantly exchanging novels and having intense conversations about them.

Sayoko had beautiful hair and intelligent eyes. She spoke quietly and with simple honesty, but deep down she had great strength. Her expressive mouth bore eloquent testimony to that. She was always casually dressed, without makeup, but she had a unique sense of humor, and her face would crinkle up mischievously whenever she made some funny remark. Junpei found that look of hers beautiful, and he knew that this was the girl he had been searching for. He had never fallen in love until he met Sayoko. He had attended a boys’ high school and had had almost no opportunity to meet girls.

But Junpei could never bring himself to express his feelings to Sayoko. He knew that there would be no going back once the words left his mouth, and that she might take herself off somewhere far beyond his reach. At the very least, the perfectly balanced, comfortable relationship of Junpei, Takatsuki, and Sayoko would undergo a shift. So he told himself to leave things as they were for now and watch and wait.

In the end, Takatsuki was the first to make a move. “I hate to throw this at you all of a sudden,” he told Junpei, “but I’m in love with Sayoko. I hope you don’t mind.”

This was midway through September. Takatsuki explained that he and Sayoko had become involved, almost by accident, while Junpei was home in Kansai for the summer vacation.

Junpei fixed his gaze on Takatsuki. It took him a few moments to understand what had happened, but when he did, it sank into him like a lead weight. He no longer had any choice in the matter. “No,” he said, “I don’t mind.”

“I am
so
glad to hear that!” Takatsuki said with a huge grin. “You were the only one I was worried about. I mean, the three of us had such a great thing going, it was kind of like I beat you out. But anyway, Junpei, this had to happen sometime. You have to understand that. If not now, it was bound to happen sooner or later. The main thing is that I want the three of us to go on being friends. OK?”

For the next few days, Junpei felt as if he were trying to walk in deep sand. He skipped classes and work. He lay on the floor of his one-room apartment eating nothing but scraps from the refrigerator and slugging down whiskey whenever the impulse struck him. He thought seriously about quitting the university and going to some distant town where he knew no one and could spend the rest of his years doing manual labor. That would be the best lifestyle for him, he decided.

THE fifth day after he stopped going to classes, Sayoko came to Junpei’s apartment. She was wearing a navy blue sweatshirt and white cotton pants, and her hair was pinned back.

“Where have you been?” she asked. “Everybody’s worried that you’re dead in your room. Takatsuki asked me to check up on you. I guess he wasn’t too keen on seeing the corpse himself. He’s not as strong as he looks.”

Junpei said he had been feeling sick.

“Yeah,” she said, “you’ve lost weight, I think.” She stared at him. “Want me to make you something to eat?”

BOOK: Vintage Murakami
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