Too Close to Home (37 page)
Derek was neither big enough nor strong enough to keep Drew down. He was a big man, and there was no way Derek was going to hold him down by himself. Even though my shoulder was searing with pain, I bolted four steps across the room and fell onto Drew, grabbing at the wrist that held the gun and slamming it to the floor. Derek had hold of his other arm, but Drew was still trying to use it to get at me, dragging Derek across his body.
I kept both hands on Drew’s wrist while Derek tried to sneak in a punch to Drew’s gut, then his face, but he wasn’t having much impact. Out of the corner of my eye I saw the mayor on the far side of the room, watching what was transpiring like it was some cockfight for his entertainment.
In that glance, I failed to spot Ellen. Where the hell was Ellen?
And then there was a loud
whack,
and Drew stopped thrashing about. Very tentatively, I let go of his wrist, rolled over onto my knees, and saw Ellen with the poker in her hands. And Drew’s head covered in blood.
Conrad lay, bloody and unmoving and undoubtedly dead, in the open front doorway.
Trying to catch my breath, I got to my feet, reached over and gave my son a pat on the shoulder, then took a look at the blood seeping through my shirt over my left shoulder where Drew’s bullet had grazed me.
Randy, filled with renewed confidence now that the threat in the room had been neutralized, stood over Drew Lockus and, pointing a finger accusingly, said, “Maybe if you’d been a better father in the first place, none of this shit ever would have happened!”
This time, when I punched him in the nose, I broke the fucker.
FORTY-FOUR
W
E WERE SITTING IN THE CAR, Ellen and I, parked across the street from a house where I did regular yard work.
We’d only just pulled up to the curb, so I hadn’t turned the engine off yet, and we were still feeling the benefits of the airconditioning in Ellen’s little Mazda. I was in the passenger seat, taking a break from driving while my shoulder healed. Ellen, sitting behind the wheel, had one hand resting on the wheel, the other on the door handle.
“So,” she said, looking straight ahead.
“Yeah,” I said.
A lot had happened in the last few days since Conrad Chase had died in our house. Famous writers turned college presidents tended to garner a lot of attention when their lives ended as violently as Conrad’s had.
In the moments since then, when we weren’t answering Barry’s questions, or avoiding the six o’clock news team, Ellen and I had been doing a lot of talking. About small things, about big things. About where we’d been and where we were going.
The time seemed to be right to make some changes.
My job driving Mayor Randall Finley, had, not surprisingly, come to a rather abrupt end, once again. I hadn’t promised to work long for him anyway, so losing the gig prematurely wasn’t that big a deal. And I still had the lawn-cutting business. For now.
The thing was, Randy’s job appeared to be in a bit of jeopardy, too. He’d managed to wow the crowd at the official announcement of his bid for Congress, and had the distinction of being the only politician in history known to have, in the same speech, outlined his ambitions while also admitting to sex with an underage hooker. As he’d predicted, his speech had not only made it to CNN and every other news network on the planet, it was a consistent favorite on YouTube.
And the Promise Falls town council had lawyers working overtime, studying the town’s constitution, attempting to determine whether there was some way they could impeach Randy. Although the mayor had not yet abandoned his congressional bid—Randy was the eternal optimist—it appeared that even if he never made it to Washington, he was at least going to experience some of its procedures.
He made some noise about charging me with assault for punching him in the nose a second time. When I had a moment to speak with him privately after what had happened at the house, I said, “Then our deal is off? I have your blessing to be indiscreet, and disclose all the details of your time with Sherry Underwood, how you not only screwed her, but hit her as well?”
So we were back where we’d started from. As much trouble as he was in, he was grateful not to have an eyewitness to his evening with Sherry Underwood. He was right about one thing: ultimately, it came down to his version of the story versus a hearsay tale from Drew Lockus, a man who’d just been on a killing spree and who lacked a lot in the credibility department. As it turned out, Linda, the single mother who had been waiting in the hall for her friend Sherry the night she’d had her meeting with Randy, had never actually set eyes on the mayor.
But even if all the details of the mayor’s bad behavior failed to come out, I had a feeling he was pretty much finished, at least politically. A guy could only be that reckless for so long before it finally caught up with him.
When we’d had our brief chat about my oath of silence, I had asked him, should his political career go into the toilet, whether he was any good with a Weed Eater. I mentioned that, with my shoulder all bandaged up after getting shot, Derek and I could probably use another hand.
Drew was charged in the murders of the Langleys and Lance Garrick, as well as Edgar Winsome and Peter Knight, the two other men Drew had been led to by piecing together the information in Sherry’s notebook. The police still had no interest in charging Drew in the death of Mortie, the man who’d come, along with Illeana’s brother Lester, to terrorize me and Ellen that night in the shed.
For that act, we were, curiously, still in his debt.
After the pages that had scattered across our living room had been collected, I actually read the first couple of chapters of Conrad’s book. It was about a news photographer whose most famous, Pulitzer Prize–winning shot, of a man’s execution in Afghanistan at the hands of the Taliban, turns out to be the work of another photographer who’d failed to get out of the country alive.
I didn’t read the whole thing, but it didn’t come across to me as some kind of veiled confession. It seemed to me Conrad was merely milking his own experience for material. It struck me that what Conrad was really doing was ripping off Brett Stockwell a second time. The first time, he’d stolen the boy’s novel. The second time, he’d exploited the boy’s misfortune to write another.
Ellen, whose contacts in the publishing world are much better than a landscaper’s, hears that the book has been deemed unreadable. That, however, does not necessarily make it unpublishable. Time will tell whether Conrad has a posthumous bestseller.
“You remember what I said a while back,” Ellen said, tipping her head back onto the headrest.
“Which thing?” I said.
“When Derek was in jail, about how we were being punished for things we’d done,” she said.
“I remember. You still feel that way?”
“Look at what we’ve done, between the two of us,” she said. “How horribly wrong good intentions can go. I tried to help Brett Stockwell, and it backfired, destroyed people’s lives. You scribbled your name in a book, gave a girl a number to call if she wanted help . . .”
“And the Langleys ended up dead,” I said. “Because Drew went to the wrong house to seek revenge.”
We both thought about that for a moment. I wondered whether Ellen was thinking what I was thinking, that maybe we were cursed or something.
“Where will we go?” she said finally. “After I go in there”—she jerked her thumb at the house—“and do my thing.”
“I don’t know,” I said. “Maybe no place. Maybe there’s no point. You can leave a place behind, but your secrets will just follow you. Maybe the best thing to do is stay put and ride it out.”
“I don’t want to wake up another day and see the Langley house.”
She had a point there.
“What about Derek?” she asked. “You think he’s going to be okay?”
“He’ll manage. He’s tougher than we give him credit for.”
Ellen powered down the windows, killed the engine. “You saw what he did this morning, didn’t you?”
“What?” I said as hot, humid air rushed into the car.
“He took one of your paintings, that one you did of the Berkshires, from the shed and put it on the wall in his room.”
“You’re kidding.”
“No.”
Decorating his cell, I thought.
“He saved our lives,” I said. “When Drew was distracted by Conrad.”
Ellen reached over and held my hand, gave it a squeeze. “I’m going to send my résumé to a whole bunch of public relations agencies. All over the country. And if I can’t get something from that, I’ll try something else.”
“I’m sure wherever it is, there’ll be grass to cut,” I said.
“Do something else,” Ellen said. “You could teach art. Work in a gallery. Go back to painting.”
“We’ll see.”
Ellen took a deep breath, exhaled slowly, preparing herself.
“You ready?” I asked her.
She glanced at me and tried to smile. “As ready as I’ll ever be, I guess.”
“You’re sure?” I asked.
“Yeah,” she said.
“Because there’s going to be a lot of fallout from this. For you. For Conrad’s estate, his publisher, a whole lot of people.”
“Sometimes, even if it takes ten years to get around to it, you have to do the right thing,” Ellen said, and got out of the car.
Together, we walked up to Agnes Stockwell’s door to tell her that she needn’t feel guilty any longer, that her son, Brett, did not kill himself, that he was an acclaimed and published author, that he had died trying to save my wife’s life.
ACKNOWLEDGMENTS
All I did was write this thing. A number of others made it happen.
In the U.S., many thanks to Irwyn Applebaum, Nita Taublib, Danielle Perez, and everyone else at Bantam Dell. I’d also like to thank everyone at Orion in the U.K., in particular my editor, Bill Massey.
And to my agent, Helen Heller, way to go.
ABOUT THE AUTHOR
LINWOOD BARCLAY is a former columnist for the
Toronto Star
. He is the author of several critically acclaimed novels, including
No Time for Goodbye
and
Stone Rain
. He lives near Toronto with his wife and has two grown children. His website is
www.linwoodbarclay.com
.
ALSO BY LINWOOD BARCLAY
Bad Move
Bad Guys
Lone Wolf
Stone Rain
No Time for Goodbye
TOO CLOSE TO HOME
A Bantam Book / October 2008
Published by Bantam Dell
A Division of Random House, Inc.
New York, New York
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.
All rights reserved.
Copyright © 2008 by Linwood Barclay
Bantam Books is a registered trademark of Random House, Inc., and the colophon is a trademark of Random House, Inc.
Library of Congress Cataloging-in-Publication Data
Barclay, Linwood.
Too close to home / Linwood Barclay.
p. cm.
1. High school students—Fiction. 2. Family—Crimes against—Fiction. 3. Murder—Fiction. I. Title.
PR9199.3.B37135T66 2008
813’.54—dc22 2008005943
eISBN: 978-0-553-90568-7
v3.0