The Playboy of the Western World and Other Plays (6 page)

CATHLEEN
(counts the stitches).
It's that number is in it
(crying out).
Ah, Nora, isn't it a bitter thing to think of him floating that way to the far north, and no one to keen him but the black hags that do be flying on the sea?

NORA
(swinging herself round, and throwing out her arms on the clothes).
And isn't it a pitiful thing when there is nothing left of a man who was a great rower and fisher, but a bit of an old shirt and a plain stocking?

CATHLEEN
(after an instant).
Tell me is herself coming, Nora? I hear a little sound on the path.

NORA
(looking out).
She is, Cathleen. She's coming up to the door.

CATHLEEN. Put these things away before she'll come in. Maybe it's easier she'll be after giving her blessing to Bartley, and we won't let on we've heard anything the time he's on the sea.

NORA
(helping
CATHLEEN
to close the bundle).
We'll put them here in the comer.

 

(They put them into a hole in the chimney corner.
CATHLEEN
gets back to the spinning-wheel.)

 

NORA. Will she see it was crying I was?

CATHLEEN. Keep your back to the door the way the light'll not be on you.

 

(NORA
sits down at the chimney corner, with her back to the door.
MAURYA
comes in very slowly, without looking at the girls, and goes over to her stool at the other side of the fire. The cloth with the bread is still in her hand. The girls look at each other, and
NORA
points to the bundle of bread.)

 

CATHLEEN
(after spinning for a moment).
You didn't give him his bit of bread?

 

(MAURYA
begins to keen softly, without turning round.)

 

CATHLEEN. Did you see him riding down?

 

(MAURYA
goes on keening.)

 

CATHLEEN
(a little impatiently).
God forgive you; isn't it a better thing to raise your voice and tell what you seen, than to be making lamentation for a thing that's done? Did you see Bartley, I'm saying to you.

MAURYA
(with a weak voice).
My heart's broken from this day.

CATHLEEN
(as before).
Did you see Bartley?

MAURYA. I seen the fearfulest thing.

CATHLEEN
(leaves her wheel and looks out).
God forgive you; he's riding the mare now over the green head, and the gray pony behind him.

MAURYA
(starts, so that her shawl falls back from her head and shows her white tossed hair. With a frightened voice).
The gray pony behind him.

CATHLEEN
(coming to the fire).
What is it ails you, at all?

MAURYA
(speaking very slowly).
I've seen the fearfulest thing any person has seen, since the day Bride Dara seen the dead man with the child in his arms.

CATHLEEN and NORA. Uah.
(They crouch down in front of the old woman at the fire.)

NORA. Tell us what it is you seen.

MAURYA. I went down to the spring well, and I stood there saying a prayer to myself. Then Bartley came along, and he riding on the red mare with the gray pony behind him.
(She puts up her hands, as if to hide something from her eyes.)
The Son of God spare us, Nora!

CATHLEEN. What is it you seen?

MAURYA. I seen Michael himself.

CATHLEEN
(speaking softly).
You did not, mother; it wasn't Michael you seen, for his body is after being found in the far north, and he's got a clean burial by the grace of God.

MAURYA
(a little defiantly).
I'm after seeing him this day, and he riding and galloping. Bartley came first on the red mare; and I tried to say “God speed you,” but something choked the words in my throat. He went by quickly; and “the blessing of God on you,” says he, and I could say nothing. I looked up then, and I crying, at the gray pony, and there was Michael upon it—with fine clothes on him, and new shoes on his feet.

CATHLEEN
(begins to keen).
It's destroyed we are from this day. It's destroyed, surely.

NORA. Didn't the young priest say the Almighty God wouldn't leave her destitute with no son living?

MAURYA
(in a low voice, but clearly).
It's little the like of him knows of the sea.... Bartley will be lost now, and let you call in Eamon and make me a good coffin out of the white boards, for I won't live after them. I've had a husband, and a husband's father, and six sons in this house—six fine men, though it was a hard birth I had with every one of them and they coming to the world—and some of them were found and some of them were not found, but they're gone now the lot of them.... There were Stephen, and Shawn, were lost in the great wind, and found after in the Bay of Gregory of the Golden Mouth, and carried up the two of them on the one plank, and in by that door.
(She pauses for a moment, the girls start as if they heard something through the door that is half open behind them.)

NORA
(in a whisper).
Did you hear that, Cathleen? Did you hear a noise in the north-east?

CATHLEEN
(in a whisper).
There's some one after crying out by the seashore.

MAURYA
(continues without hearing anything).
There was Sheamus and his father, and his own father again, were lost in a dark night, and not a stick or sign was seen of them when the sun went up. There was Patch after was drowned out of a curragh that turned over. I was sitting here with Bartley, and he a baby, lying on my two knees, and I seen two women, and three women, and four women coming in, and they crossing themselves, and not saying a word. I looked out then, and there were men coming after them, and they holding a thing in the half of a red sail, and water dripping out of it—it was a dry day, Nora—and leaving a track to the door.

 

 

MAURYA (half in a dream, to CATHLEEN). Is it Patch, or Michael, or what is it at all?

CATHLEEN. Michael is after being found in the far north, and when he is found there how could he be here in this place?

MAURYA. There does be a power of young men floating round in the sea, and what way would they know if it was Michael they had, or another man like him, for when a man is nine days in the sea, and the wind blowing, it's hard set his own mother would be to say what man was it.

CATHLEEN. It's Michael, God spare him, for they're after sending us a bit of his clothes from the far north. (She reaches out and hands MAURYA the clothes that belonged to Michael. MAURYA stands up slowly and takes them in her hands. NORA looks out.)

NORA. They're carrying a thing among them and there's water dripping out of it and leaving a track by the big stones.

CATHLEEN
(in a whisper to the women who have come in).
Is it Bartley it is?

ONE OF THE WOMEN. It is surely, God rest his soul.

 

(Two younger women come in and pull out the table. Then men carry in the body of
BARTLEY,
laid on a plank, with a bit of a sail over it, and lay it on the table.)

 

CATHLEEN
(to the women, as they are doing so).
What way was he drowned?

ONE OF THE WOMEN. The gray pony knocked him into the sea, and he was washed out where there is a great surf on the white rocks.

 

(MAURYA
has gone over and knelt down at the head of the table. The women are keening softly and swaying themselves with a slow movement.
CATHLEEN
and
NORA
kneel at the other end of the table. The men kneel near the door.)

 

MAURYA
(raising her head and speaking as if she did not see the people around her).
They're all gone now, and there isn't anything more the sea can do to me.... I'll have no call now to be up crying and praying when the wind breaks from the south, and you can hear the surf is in the east, and the surf is in the west, making a great stir with the two noises, and they hitting one on the other. I'll have no call now to be going down and getting Holy Water in the dark nights after Samhain, and I won't care what way the sea is when the other women will be keening. (To NORA) Give me the Holy Water, Nora, there's a small sup still on the dresser.

(NORA
gives it to her.)

MAURYA
(drops Michael's clothes across
BARTLEY‘
s feet
,
and sprinkles the Holy Water over him).
It isn't that I haven't prayed for you, Bartley, to the Almighty God. It isn't that I haven't said prayers in the dark night till you wouldn't know what I'd be saying; but it's a great rest I'll have now, and it's time surely. It's a great rest I'll have now, and great sleeping in the long nights after Samhain, if it's only a bit of wet flour we do have to eat, and maybe a fish that would be stinking.
(She kneels down again, crossing herself, and saying prayers under her breath.)

CATHLEEN
(to an old man).
Maybe yourself and Eamon would make a coffin when the run rises. We have fine white boards herself bought, God help her, thinking Michael would be found, and I have a new cake you can eat while you'll be working.

THE OLD MAN
(looking at the boards).
Are there nails with them?

CATHLEEN. There are not, Colum; we didn't think of the nails.

ANOTHER MAN. It's a great wonder she wouldn't think of the nails, and all the coffins she's seen made already.

CATHLEEN. It's getting old she is, and broken.

 

(MAURYA
stands up again very slowly and spreads out the pieces of Michael's clothes beside the body, sprinkling them with the last of the Holy Water.)

 

NORA
(in a whisper to
CATHLEEN). She's quiet now and easy; but the day Michael was drowned you could hear her crying out from this to the spring well. It's fonder she was of Michael, and would any one have thought that?

CATHLEEN
(slowly and clearly).
An old woman will be soon tired with anything she will do, and isn't it nine days herself is after crying and keening, and making great sorrow in the house?

MAURYA
(puts the empty cup mouth downwards on the table, and lays her hands together on
BARTLEY‘
S feet).
They're all together this time, and the end is come. May the Almighty God have mercy on Bartley's soul, and on Michael's soul, and on the souls of Sheamus and Patch, and Stephen and Shawn
(bending her head);
and may He have mercy on my soul, Nora, and on the soul of every one is left living in the world.

 

 

 

MAURYA
(continuing).
Michael has a clean burial in the far north, by the grace of the Almighty God. Bartley will have a fine coffin out of the white boards, and a deep grave surely. What more can we want than that? No man at all can be living for ever, and we must be satisfied.
(She kneels down again and the curtain falls slowly.)

CHRISTOPHER MAHON
OLD MAHON
(his father, a squatter)
MICHAEL JAMES FLAHERTY,
called MICHAEL JAMES
(a publican)
MARGARET FLAHERTY,
called PEGEEN MIKE
(his daughter)
WIDOW QUIN
(a woman of about thirty)
SHAWN KEOGH
(her cousin, a young farmer)
PHILLY CULLEN and JIMMY FARRELL
(small farmers)
SARA TANSEY, SUSAN BRADY,
and HONOR BLAKE
(village girls)
A BELLMAN
SOME PEASANTS

 

 

SCENE.
Country public-house or shebeen, very rough and untidy. There is a sort of counter on the right with shelves, holding many bottles and jugs, just seen above it. Empty barrels stand near the counter. At back, a little to left of counter, there is a door into the open air, then, more to the left, there is a settle with shelves above it, with more jugs, and a table beneath a window. At the left there is a large open fire-place, with turf fire, and a small door into inner room.
PEGEEN,
a wild-looking but fine girl of about twenty, is writing at table. She is dressed in the usual peasant dress.