The Man in the Picture (4 page)

I was dressing when there was a hurried knock on the outer door and the college servant came in looking troubled.

‘I thought you would want to know at once, sir, that there ’s been an accident. It’s Mr Parmitter ...’

FIVE

HERE IS REALLY no need to trouble a doctor. I am a little shaken but unhurt. I will be perfectly all right.’

The servant had managed to get Theo into his chair in the sitting room, where I found him, looking pale and with an odd look about his eyes which I could not read.

‘The doctor is on his way so there ’s an end to it,’ I said, nodding approvingly at the servant, who had brought in a tray of tea and was refilling a water jug. ‘Now tell me what happened.’

Theo leaned back and sighed, but I could tell that he was not going to argue further. ‘You fell? You must have slipped on something. We must get the maintenance people to check ...’

‘No. It is not their concern.’ He spoke quite sharply.

I poured us both tea and waited until the servant had left. I had already noticed that the Venetian picture was no longer in its former place.

‘Something happened,’ I said. ‘And you must tell me, Theo.’

He took up his cup and I noticed that his hand was shaking slightly.

‘I did not sleep well,’ he said at last. ‘That is not unusual. But last night it was well after two before I got off and I slept very fitfully, with nightmares and general disturbance.’

‘I had nightmares,’ I said. ‘Which is most unusual for me.’

‘It is my fault. I should never have started on that wretched story.’

‘Of course it is not – I went for a brisk walk to clear my head and woke myself up too thoroughly. It was also damned cold.’

‘No. It was more than that, as it was with me. I am certain of it now. I was in such discomfort and sleeping so wretchedly that I knew I would be better off up and sitting in this chair. It takes me some time to get myself out of bed and stirring and I had heard the clock strike four when I made my way in here. As I came up to that wall on which the picture hung, I hesitated for a split second – something made me hesitate. The wire holding the painting snapped and the whole thing crashed down, glancing my shoulder so that I lost my balance and fell. If I had not paused, it would have hit me on the head. There is no question about it.’

‘What made you pause? A premonition surely.’

‘No, no. I daresay I was aware, subliminally, of the wire straining and being about to break. But the whole incident has shaken me a little.’

‘I’m sorry – sorry for you, of course, but I confess I am sorry that I will not hear the rest of the story.’

Theo looked alarmed. ‘Why? Of course, if you have to leave, or you prefer not to ... but I wish that you would stay, Oliver. I wish that you would hear me out.’

‘Of course I will. I could hardly bear to be left dangling like this but perhaps it would be better for your peace of mind if we let the whole thing drop.’

‘Most emphatically it would not! If I do not tell you the rest I fear I shall never sleep well again. Now that it is buzzing in my mind it is as disturbing as a hive of angry bees. I must somehow lay them to rest. But do you now have to return to London?’

‘I can stay another night – indeed it would be time well spent. There are some things I can usefully look at in the library while I am here.’

There was a tap on the door. The doctor arrived and I told Theo I would see him later that day, if he was up to talking – but that he must on no account disobey any ‘doctor’s orders’ – the tale could wait. It was of no consequence. But I did not mean that. It was of more consequence now than I dared admit. Enough things had happened both to unnerve me and also to convince me that they were connected though each one taken alone meant little. I should say that I am by no means a man who jumps readily to outlandish conclusions. I am a scholar and I have been trained to require evidence, though as I am not a lawyer, circumstantial evidence will sometimes satisfy me well enough. I am also a man of strong nerve and sanguine temperament, so the fact that I had been disturbed by events is noteworthy. And I now knew that Theo Parmitter too was disturbed and, above all, that he had begun to tell me the story of the Venetian picture not to entertain me as we sat by the fire, but to unburden himself, to share his misgivings and fears with another human being, not unlike him in temperament, one who would bring a calm rational mind to bear upon them.

At least my mind, like my nervous state, had been calm until the previous night. Now, although my reason told me that the falling picture was a straight-forward event and readily explained, my shadowy sense of foreboding and unease told me otherwise. I knew and often applied the principle of Occam’s razor but, here, my intuition ruled my reason.

I spent most of the day in the library working on a medieval psalter and then went into the town to have tea in the Trumpington Street café I had often frequented and which was generally full of steam and the buzz of conversation. But that, of course, was in termtime. Now it was almost deserted and I sat eating my buttered crumpets in a somewhat chill and gloomy atmosphere. I had hoped to be cheered up by plenty of human company but even the shopping streets were quiet – it was too cold for strollers and anyone who had needed to buy something had done so speedily and returned to the warmth and snugness of home.

I would be doing the same tomorrow, and although I loved this town which had been of such benefit to me and in which I had spent some supremely happy years, I would not be sorry when this particular visit was over. It had been an unhappy and an unsettling one. I longed for the bustle of London and for my own comfortable house.

I returned to the college and, because I felt in need of company, went to dine in hall with half a dozen of the fellows. We made cheerful conversation and finished off a good bottle of port in the combination room in typical Cambridge fashion, so that it was rather late by the time I went across the court and up the staircase to my rooms. I found an anxious message awaiting me from Theo asking me to go and see him as soon as I was free.

I sat down for a few moments before doing so. I had, it was true, avoided going to see him since the morning, though I had of course enquired and been told that he was none the worse, physically, for the morning’s incident, though still a little unnerved. I had managed to blow away the clinging cobwebs of my low and anxious mood and I was apprehensive about hearing any more of Theo’s story. Yet he had all but begged me to go and hear him out, for his peace of mind depended upon it, and I felt badly about leaving him alone all day.

I hurried out and down the staircase.

Theo was looking better. He had a small glass of malt whisky beside him, a good fire and a cheerful face and he enquired about my day in a perfectly easy manner.

‘I’m sorry I was occupied and didn’t get along here earlier.’

‘My dear fellow, you’re not in Cambridge to sit with me day and night.’

‘All the same ...’

I sat down and accepted a glass of the Macallan. ‘I have come to hear the rest of the story,’ I said, ‘if you feel up to it and still wish to tell me.’

Theo smiled.

The first thing I had looked for on coming into the room was the picture. It had been re-hung in its original position but it was in full shadow, the lamp turned away and shining on the opposite wall. I thought the change must have been made deliberately.

‘What point had I reached?’ Theo asked. ‘I can’t for the life of me remember.’

‘Come, Theo,’ I said quietly, ‘I rather think that you remember very clearly, for all that you dropped off to sleep and I left you to your slumbers. You were coming to an important part of the story.’

‘Perhaps my falling asleep was a gesture of selfdefence.’

‘At any rate, you need to tell me the rest or both of us will sleep badly again tonight. You had just shown me the article in the magazine, in which the picture appeared too prominently. I asked you if the photographer had placed it deliberately.’

‘And he had not. So far as I was aware he had paid it no attention and I certainly had not done so. But there it was one might say dominating the photograph and the room. I was surprised but nothing more. And then, a couple of weeks after the magazine appeared, I received a letter. I have it still and I looked it out this morning. I had filed it away. It is there, on the table beside you.’

He pointed to a stiff, ivory-coloured envelope. I picked it up. It was addressed to him here in college and postmarked Yorkshire, some thirty years previously. It was written in violet ink and in an elaborate, old-style hand.

Hawdon

by Eskby

North Riding of Yorkshire

Dear Dr Parmitter,

I am writing to you on behalf of the Countess of Hawdon, who has seen an article about you and your work in the —Journal and wishes to make contact with you in regard to a painting in the room in which you appear photographed. The painting, an oil of a Venetian carnival scene, hangs immediately behind you and is of most particular and personal interest to her Ladyship.

Lady Hawdon has asked me to invite you here as there are matters to do with the picture that she needs most urgently to discuss.

The house is situated to the north of Eskby and a car will meet your train from the railway station at any time. Please communicate with me as to your willingness to visit her Ladyship and offer a date, at your convenience. I would stress again that because of her Ladyship’s frail health and considerable agitation on this matter, an immediate visit would suit.

Yours etc

John Thurlby

Secretary.

‘And did you go?’ I asked, setting the letter down.

‘Oh yes. Yes, I went to Yorkshire. Something in the tone of the letter meant that I felt I had no choice. Besides, I was intrigued. I was younger then and up for an adventure. I went off with a pretty light heart, as soon as term ended, within a couple of weeks.’