The Book of My Lives (16 page)

Given that we had no access to high school girls and their bodies, we played a lot of chess. Often we organized entire tournaments. We played during class time, while our teachers were completely oblivious to it all. The score chart was pasted to the classroom wall, Mladen always at the top of it, head and shoulders better than any of us. He was so good, in fact, that he could play blindfold games on multiple boards, sometimes against as many as six, all the while paying close attention to the teacher and studiously copying from the chalkboard. We would risk reprimand, hiding our chessboards under our desks, fully ignoring the learning going on. Upon analyzing the position at hand, each of us would send him a note, reading, for example, “Ke2 to e4.” Without losing the thread of the teacher’s explanation, he would quickly respond with a move. We could instantly see the brilliance of his thinking and recognize we were being demolished. In revenge, we would mock the way in which he wiped the chalkboard clean, sticking his butt out while pulling down the sponge in straight, parallel lines.

The only one who could even begin to compete with Mladen was Ljubo. I’d known him in elementary school. Back then, when I’d pretended to be the George in a Beatles cover band, he’d taken a crack at being the Ringo. By high school, however, Ljubo lost interest in rock ’n’ roll and indeed in most things outside the realm of mathematics and chess. Unlike the neat, disciplined, well-groomed Mladen, Ljubo was relentlessly sloppy, fully compliant with the stereotype of an absentminded mathematician. His handwriting was so illegible that he sometimes received low grades in math tests simply because the teacher could not decode his brilliant solutions to difficult equations. Contaminated by the neoromantic myths of unconventionality (Bukowski! Sex Pistols! Warhol!), I thought that his inability to function within the reality everyone else was confined by was a mark of true genius—he, I thought, could end up being the great one among us.

In our junior year, Mladen decided that he was done playing blindfold games with patzers and explaining complex-function graphs to buffoons like me. Within a few months, he passed all the necessary exams, graduated from high school, enrolled in college, and disappeared into the netherland of responsible life. The rest of the grocer patzers had to jump through the hoops of baccalaureate exams before graduation, only to serve in the military for a mandatory year of conscription.

Ljubo, who was too slovenly and disorganized to do what Mladen did and thus avoid serving in the army, had a dreadful time as a conscript. He came back from the army terribly distraught, in spite of which he passed all the difficult math exams in his first year of college. The only exam he had problems with was in geometry, because he had to draw graphs and keep them neat. He would come to the exam unshaven and bepimpled, his unwashed shirt untucked, a broken ruler and a single blunt pencil in hand. The graphs he had to draw for the exam seemed to represent his complexly muddled mind far more than simple euclidean space.

Soon he was enmeshed in full-fledged schizophrenia. A couple of times he was locked up in Jagomir, a grim funhouse close to the city zoo on the outskirts of Sarajevo. I never went to visit him there, but a few of my classmates did. They came back with dreadful stories of small rooms packed with patients serving imaginary coffee in imaginary pots to imaginary guests or huddling in the corners and howling in unreal pain. For his visitors, Ljubo unfurled long and elaborate tales of intricate conspiracies, scoffing at his classmates for failing to see the obvious connections between remote possibilities. Unlike Ljubo, they had no voices to guide them through his chaotic interiority and they listened to him, helplessly, bemused.

Once, after Ljubo returned to his parents’ home from Jagomir, his mother called us up and suggested that we come over to talk to him and cheer him up. The seven of us, his high school friends, rang the bell sheepishly, giggling with discomfort, and offered our chocolate-bonbon presents to his distressed mother. She served us soft drinks and snacks, as if we were at a birthday party, and then left us alone, no doubt to press her ear against the door. We babbled awkwardly, because Ljubo was not well at all and we didn’t know what to say. He was listless and slow, affected by strong antipsychotic medication. Then we listened in stunned silence as he spun his schizo-narratives. This time, he divulged to us the true story of Alekhine, who, in Ljubo’s rendition, descended directly from God himself and therefore partook in some sort of destiny-control mechanism, plainly visible to those who analyzed his games correctly. Somehow, Alekhine’s divinity had been transferred to Ljubo, who was thus in direct communication with God. We had no idea, he told us, about the things that were happening as we spoke, we had no way to grasp the magnitude of his still-unused powers. The Alekhine yarn was then threaded into his claim that the truly great grandmasters—those of Alekhine’s divine caliber—all eventually quit playing the game. Because the number of various positions in chess, however immense, was finite, the true grandmasters eventually played their way through all the possible combinations, thereby reaching the outer limits of chess. At that point, they got bored, as there were no more games they could play. We listened to him, rapt. He continued: once the great grandmasters were done with chess, they’d switch to inverse chess, where the goal was to lose quickly—whoever lost first, won the game. This game of inverse chess was called
bujrum
, which in Bosnian means something like “serve yourself” and is used to offer food at the table. Thus you offered your pieces to the other player, trying to lose as many as possible as soon as possible and then put yourself in a checkmate position. I’d played
bujrum
as a kid, oblivious to the possibility of treading upon divine turf. All the greatest grandmasters, Ljubo said, were now playing
bujrum
, Bobby Fischer included. Many of the greatest
bujrum
players were unheard-of. Karpov and Kasparov (furiously involved at the time in a rivalry over the world champion title) were actually just pathetic patzers, not able to cross the
bujrum
border to the other side of chess.

His troubled conviction was so strong that the story made sense for a moment—we had to snap out of it to dismiss it, still saying nothing. We knew no way of responding to his ramblings, nor could we come up with a counterargument that could even begin to weaken his psychotic faith. We sat brooding, until his mother came in with more pretzels and Coke. We quickly went for the snacks, grasping at the junk food straws, stuffing our mouths to avoid saying anything. We were hoping that we could be released now, but Ljubo’s mother wanted to keep the party going, so she suggested to Ljubo that he play something on the accordion for us. Acquiescently, he fetched his instrument. We waited as he adjusted the straps at a glacial speed. We recognized the first bars of the “Ode to Joy”; none of us expected him to play Beethoven on his discordant accordion. Slowly stretching and squeezing it, he produced notes and wheezes perfectly devoid of any semblance of joy. To this day, Ljubo’s interpretation of the last movement of Beethoven’s Ninth is the saddest piece of music—indeed the saddest humanly generated sound—I have ever heard. What he played for us was to music what
bujrum
was to chess: his rendition was absolutely the opposite of the “Ode to Joy.” We were paralyzed by the frightening possibilities implied by his antimusic and antichess. Beyond our life there was antilife and he was living it; we had not known it, until we heard the anti–“Ode to Joy.” We idiotically applauded, guzzled down our fizzless Coke, thanked his mother, and went home to try to live without the fear of antimatter and darkness.

3

In the early nineties, after I’d moved from Ukrainian Village to Edgewater, I played chess at a place in Rogers Park called the Atomic Cafe. It was a few blocks away from the Artists in Residence building, where I was renting a tiny studio. The café was next door to the 400 Movie Theater, where one could watch second-run movies for a couple of bucks and which reeked of stale popcorn and permanently clogged toilet. In the summer, people played chess in a fenced-off outdoor seating area; the rest of the year, the café was full of students from nearby Loyola University, with a corner always occupied by chess enthusiasts. North Side players convened every day to play at the café; on weekends, one could easily play for twelve hours straight. The first time I wandered in, sometime in the early summer of 1993, I kibitzed for a while before going off for a movie. The following day, I returned to the café hoping to play a game. After sheepishly watching, I summoned enough confidence to accept a challenge by an older man who introduced himself as Peter. He looked shabby: gray hair peeking in tufts out of his ears, a flannel shirt on the verge of snapping open at his potbelly, envelopes sticking halfway out of his chest pocket. For some reason, he exuded a strong smell of perfume. But he appeared very wise to me as he narrowed his brows to examine the position on the board. Much like one can tell a good soccer player from the way he or she touches the ball with his or her foot, I could tell Peter was serious about chess from the way he sank deep into himself to contemplate the next move and all the possibilities beyond it.

I don’t remember how the first game against Peter went down, but I’m confident I lost it—it had been a while since I’d played a demanding game. But I kept going back to the café, playing more and more, often with Peter, who never seemed to get bored with beating me. I played with others, too, and even began winning against some respectable regulars. Pretty soon, I was spending weekends at the café, breaking up the long chess hours only to see a movie next door.

It turned out the Atomic Cafe was rife with all kinds of characters obsessed with chess. Between the games I would hang out with the idle players, small-talking, asking them a lot of questions, ever eager to extract bits of other people’s lives. There was a Vietnam vet, for instance, who had been on disability at least since the fall of Saigon. His knee often jerked rapidly and he was proud of having helped stop the advance of communism in Southeast Asia. He played chess, took drugs, and did little else. Once, he described to me putting his face, high on acid, under a stream of water to examine the oncoming water drops—their molecular beauty fucking blew his fucking mind. There was Marvin the Master, the size and shape of a football player, who would occasionally stop by the café to play speed-chess games, disposing of the patzers at such speed and with such brilliance that no one in the admiring crowd could see what was happening. There was a brilliant Indian computer programmer who, in the few years I frequented the place, lost a number of jobs because of his chess obsession. He promised his wife at least once he would quit, but he could not help thinking of chess incessantly. Failing to stay clean of chess, he still came to the café, but declined all invitations to play, wasting just as much time kibitzing. Predictably, he ended up getting divorced. He told me so himself, the last time I saw him. He was driving a cab at the time, which he parked in front of the café to play all day, happily off the wagon and thoroughly uninterested in catching fares. All my chess friends seemed to be lonely men, continuously struggling to reproduce the painfully evanescent beauty of the game, never getting within sight of the
bujrum
border.

Then there was Peter. Playing against him, I would attack from all sides, and he would patiently defend, waiting for me to make a mistake. Inescapably, I would make one, and he would enter the endgame with an extra pawn, inexorably advancing toward becoming a queen. Soon I would be forced to acknowledge defeat, whereupon he would jokingly demand my resignation in writing. We didn’t talk much while playing, but would chitchat between games, exchanging basic information and finding things in common. He lived in and owned a perfume shop in the neighborhood, which explained his rich, ever-changing flowery scent, heretofore incongruous with his shabby-old-man appearance. We both came from elsewhere: I told him I was born and raised in Sarajevo, Bosnia, to which he said: “I’m sorry.” He, on the other hand, was Assyrian, but born in Belgrade. Walking home after a long day of playing, I asked him how come he’d been born in Belgrade. After a groan of reluctance, in a subdued voice of discomfort, he told me that his parents had escaped from Turkey in 1917 or so, at the time when the Turks had been busy exterminating Armenians, but could still spare, while they were at it, some time and bullets to get rid of a few Assyrians. His parents ended up in Belgrade, so he was born there. A few years later, following a properly unpredictable refugee trajectory, they found themselves in Iraq around the time it became independent, and that was where he’d grown up. But then, in his twenties, he had to leave Iraq because he had a run-in with the prime minister’s son (he offered no details or explanation); his life was at risk, so he fled to Iran. He got married, had a son, and, in 1979, was living in Tehran, employed at the American embassy, arguably the worst imaginable place of employment in the case of a local Islamic revolution. During the chaotic upheaval, his only son, conspicuously clad in denim, was stopped and searched on the street by the revolutionaries. He had some pot and they shot him on the spot.

So here was an Assyrian named Peter, selling knock-off Eternity for Men in Chicago, beating me at chess without any particular pleasure; here was a man whose life contained more suffering than I could begin to imagine. The story of Peter’s life was narrated to me along the few blocks we walked before we parted, in five minutes or less. There is always a story, I learned on that walk, more heartbreaking and compelling than yours. And I understood why I was so drawn to Peter: we belonged to the same displaced tribe. I picked him out of the crowd because I recognized the kinship.

I remembered how, a few weeks before, he had gone off at a couple of Loyola students who were babbling at the next table, copiously abusing the word
like
, barely slowing down to take a breath. I’d been annoyed by the incessant vacuousness of their exchange, the idiotic frequency of the
like
s
,
and I couldn’t stop listening precisely because I’d had no idea what they were talking about. But I just put up with it, always liable to distraction. Peter, however, suddenly exploded: “Why are you talking so much?” he yelled at them. “You’ve been talking for an hour, saying nothing. Shut up! Shut up!” The students shut up, terrified. Peter’s outburst, shocking though it may have been, made perfect sense to me—not only did he deplore the waste of words, he detested the moral lassitude with which they were wasted. To him, in whose throat the bone of displacement was forever stuck, it was wrong to talk about nothing when there was a perpetual shortage of words for all the horrible things that happened in the world. It was better to be silent than to say what didn’t matter. One had to protect from the onslaught of wasted words the silent place deep inside oneself, where all the pieces could be arranged in a logical manner, where the opponents abided by the rules, where even if you ran out of possibilities there might be a way to turn defeat into victory. The students, of course, could not begin to comprehend the painful infinity of Peter’s interior space. Inoculated against speechlessness, they had no access to the unspeakable. They could not see us, even though we were there, as we were nowhere and everywhere. So they shut up and sat in wordless oblivion; then they got up and left. Peter and I arranged the pieces for another game of chess.