Selected Stories by Fritz Leiber (44 page)

BOOK: Selected Stories by Fritz Leiber
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Ramsey Ryker did not reenter the apartment tree from his own apartment until the next evening. Any attentive and thoughtful observer, had there been one to accompany him down in the elevator and match his measured footsteps to the front door, would have deduced two things about him.

First, from cologne-whiff overlaying a faintly soapy fragrance and from gleaming jowl, spotless white collar, faintly pink scalp between strands of combed white hair, and small even tie-knot, that he had recently bathed, shaved very closely, and arrayed himself with equal care, so that except for his age you might have been sure he was going out on a romantic date.

Second, from his almost corpselike pallor, his abstracted expression, and “slow march” ritualistic movements, that the evening’s business was a not altogether pleasurable or at least a very serious one.

And if the observer had in addition been an
imaginative
or perhaps merely suggestible person, he might have added these two impressions together and got the sinister total of “If ever a man could be said to have dressed himself for his own funeral…”

And if that same hypothetical observer had been on hand twenty minutes later to witness Ryker’s return to the apartment tree, he would have got an additional funereal shudder from the circumstance that Ryker’s lapel now sported a white carnation while his left hand carefully held a small floral spray, the chief feature of which was a white orchid.

But even this observer would have been surprised at the expression of excited delight that suffused and faintly colored Ryker’s pale forward-straining countenance as he entered the hall. Of course sometimes merely getting cleaned up and dressed and venturing outdoors will cheer an elderly person amazingly, but this mood change seemed to and indeed did have a more specific outside stimulus.

For Ryker saw that the circumstances of his third encounter with the Vanishing Lady had been reproduced. There was that same impression of additional gloom, a black hole opening, swiftly seen to be due to the elevator doors standing open and the cage dark, and the dim-gleaming slender figure of the Vanishing Lady in profile just inside and just beyond the column of control buttons.

But this time her posture did not seem dejected but relaxedly alive: her head was bent, it’s true, but it also seemed turned a little in his direction, as if she were scanning his approach coquettishly, there was more if anything of an elusive shimmering dim sparkle about her shoulders and her front, she held again (left hand this time, the nearer one) that mysterious little brass object he’d mistaken for a key, the total effect being surprisingly erotic, as if it were a black-and-silver drawing, “Assignation in the Shadows”; while all the while he hurried on eagerly, faster and faster, fiercely arming himself against any last-minute cringings aside, determined to let only a premature closing of its doors bar him from that elevator tonight.

Without the slightest hesitation he strode into the dark cage, bowing slightly to her as he did so, reaching his right hand toward the top of the buttons column, where the light switch was, to turn it on, and said in a low and respectful voice, “Good evening.” This last came out deeper and more resonant than he’d intended, so that it had a rather sepulchral sound. And his third movement was not completed, for just as he entered, she raised her head and simultaneously reached her black-gloved right hand and that arm across her body and the lower half of her face, apparently anticipating his intention to switch on the light, so that his own hand drew back.

He turned facing her as he stepped past her and settled his back against that of the elevator. Her outstretched arm concealed her lips, so he couldn’t tell if she smiled or not, but her gleaming eyes followed him as he moved across the cage, and at least they didn’t frown. The effect was provocative, alluring.

But her outreached hand did not turn on the light. Instead its black forefinger seemed to lay itself against the flat brass between the 12 and 14 buttons. But she must have pressed one or the other of those in so doing, for the doors growled shut and the cage moved upward.

That plunged the cage in gloom, but not quite as deeply as he would have expected, for the strange pale glimmering around her neck and her black coat’s closure seemed to strengthen a little, almost sparkle (real or imagined? her body’s aura, could it be? or only his old eyes dazzling?) and a twinkle of other light came in by the little window as they passed the second floor. In his state of heightened awareness he dimly yet distinctly saw her right hand drop away from the button panel and her other hand join it, creep a little way into its sleeve and then in one swift backward motion strip the glove from her right hand, which then uncurled gracefully toward him palm upward through the dark between them like a slender white sash ending in five slim white ribbons of unequal length. Advancing a step and bowing his head toward it, he gently received its cool weightless length upon his own fingers, touched his lips to the smooth slim palm, and withdrawing laid across it the white orchid he’d been carrying. Another little window winked by.

She pressed the slender spray against her throat and with her yet-gloved hand touched his as if in thanks.
She
wondered why she had pressed
between
the buttons and why the cage had responded, why she had not blacked out while drawing off her glove. Dark memories threatened opening, not without fear. She tugged a little at Ryker’s hand in drawing her own away.

Emboldened, he advanced another step, bringing him almost against her. Her cat-triangular small face tilted up toward his, half of it pale, the other half dark mouth, gray gleaming eyes, their shadowed orbits under slim black brows. His left hand brushed her side and slid behind her, pressed her slim back. His right sought out the fingers at her throat holding his orchid and caressed them, playing with them gently. He felt her suede-soft gloved fingers creeping at the back of his neck.

She slid the orchid with its insubstantial spray inside her coat and her ungloved moist hand stroked his dry cheek. His hand felt out two large round buttons at her neck, tilted them through their thread-bordered slits, and the collar of her coat fell open. The diamond sparkling that had long puzzled him intensified, gushed up and poured out fountainlike, as if he had uncovered her aura’s nest—or was his old heart blowing up a diamond hurricane? or his old eyes jaggedly spinning out a diamond migraine pattern? He gazed down through this ghostly scintillation, these microscopic stars, at a landscape pearly gray and cool as the moon’s, the smooth valley where the orchid lodged between her small jutting breasts with their dark silver nipples, a scene that was not lost, though it swung and narrowed a little, when her small hands drew his head down to hers and their lips met in a leisurely kiss that dizzied him unalarmingly.

It occurred to him whimsically that although the pearly landscape he continued to admire might seem to stretch on and on, it had an exceedingly low black sky, an extremely low ceiling, air people would say. Now why should that fantasy carry overtones which were more sinister than amusing? he wondered idly.

It was at that moment that he became aware that he was smelling cigar smoke. The discovery did not particularly startle or alarm him, but it did awaken his other senses a little from their present great dreamy preoccupation, though not entirely. Indeed, in one sense that preoccupation deepened, for at that moment the tip of her tongue drew a very narrow line into their kiss. But at the same time, as he noted that the elevator had come to rest, that its creaking groan had been replaced by a growling mutter which he liked still less, while a wavering ruddy glow, a shadowed reddish flickering, was mounting the walls of the cage from some unknown source below, and that the thin reek of cigar smoke was becoming more acrid.

Unwillingly, wearily (he was anything but tired, yet this cost an effort), he lifted his gaze without breaking their kiss, without thinking of breaking it, and continuing to fondle her back and neck, until he was looking across her shoulder.

He saw, by the red glow, that the door of the cage had opened without his having noticed it and that the elevator was at the fourteenth floor.
But not
quite
at the fourteenth floor, for the outer door was closed tight and the little window in it that had the numeral 14 painted under it stood about eighteen inches higher than it should.
So the floor of the cage must be the same distance below the floor of Fourteen.
Still unalarmed, grudging each effort, he advanced his head across her shoulder until he could look down over it. As he did so, she leaned her head back and turned it a little sideways, accommodating, so that their kiss was still unbroken, meanwhile hugging him more tightly and making muffled and inarticulate crooning sounds as if to say “It is all right.”
The space between the two floors (which was also the space between the ceiling of Twelve and the floor of Fourteen) was wide open, a doorway five feet wide and scarcely one foot high in the raw wall of the shaft, and through that doorway there was pouring into the bottom of the cage from the very low-ceilinged thirteenth floor a pulsing crimson glow which nevertheless seemed more steady in hue, more regular in its variations of intensity than that of any fire.
This furnace-light revealed, clustered around their ankles but spreading out more scatteredly to fill the elevator’s carpeted floor, a horde of dark squat forms, a milling host of what appeared to be (allowing for the extreme foreshortening) stocky Lilliputian human beings, some lifting their white faces to peer up, others bent entirely to the business at hand. For instance, two pairs of them struggled with dull metal hooks almost as large as they were and to which stout cords were attached, others carried long prybars, one jauntily balanced on his shoulder what looked like a white paper packet about as big (relative to him) as an unfolded Sunday newspaper, while more than half of them held between two fingers tiny black cylinders from one end of which interweaving tiny tendrils of smoke arose, forming a thin cloud, and which when they applied the other ends to their tiny mugs, glowed winkingly red in the red light, as if they were a swarm of hellish lightless fireflies.
It may seem most implausible to assert that Ramsey Ryker did not feel terror and panic at this extremely grotesque sight (for he realized also that he had somehow penetrated the realm of his nightmares) and highly unlikely to record that his kiss and the Vanishing Lady’s continued unbroken (save for the hurried puffings and inhalations normal in such a contact), yet both were so. True, as he wormed his head back across her shoulder to its first vantage point, his heart pounded alarmingly, there was a roaring in his ears, and waves of blackness threatened to overwhelm his vision and forced their way up into his skull, while the simple shifting movement he intended proved unexpectedly difficult to execute (his head felt heavy, not so much looking over her shoulder as slumped on it)—but these were physical reactions with many causes. His chief mental reactions to the beings he’d seen clustered around their feet were that they would have been interesting at another time and that they presumably had their own place, business, and concerns in the great scheme of things, and that just now he had his own great business and concerns he must return to, as hopefully they to theirs. Also, the Vanishing Lady’s caresses and murmurings of reassurance and encouragement had their helpful and soothing effects.
But when he was once more gazing down into what we may call without any sarcasm his steep and narrow valley of delights, he could no longer tell whether the ghostly silver sparks that fountained from it were inside or outside his eyes and skull, the exquisite outlines wavered and were lost in mists, his fingers fondling her neck and her low back grew numb and powerless, all power save that of vision drained from his every part, he grew lax, and with her hands solicitously supporting and guiding him, he sank by degrees, his heavy head brushing her black coat entirely open and resting successively against her naked breasts, belly, and thighs, until he was laid out upon his back corner-to-corner in the small cage, head to the front of it, feet to the back, level with the hitherto unsuspected thirteenth floor, while the Vanishing Lady in assisting him had stooped until she now sat upon her heels, her upper body erect, her chin high, having never once looked down.
With a slow effortless movement she regained her full stature, her hands trailing limply down, one of them still gripping the brass tube. The jaunty homunculus lifted his white paper packet to the other, and she clipped it securely between thumb and forefinger, still without the slightest downward glance, raised it until it was before her eyes, and eagerly but carefully unfolded it.
Ryker watched her attentively from the floor. His entire consciousness, almost, had focused in on her until he saw only her face and shoulders, her busy hands and matchless breasts. They looked very clear but very far away, like something seen through the wrong end of a telescope. He was only most dimly aware of the movements closer to him, of the way the two large dull hooks were being effortfully fitted under his shoulders and beneath his armpits. He watched with great interest but no comprehension, aware only of the beauty of the sight, as she fitted the cork-protected end of the brass tube into one nostril, delicately applied the other end to the flat unfolded square of white paper, and slowly but deeply inhaled. He did not hear the distant windlass creaking nor feel the hooks tighten against his armpits as he was dragged out of the elevator into the thirteenth floor and his consciousness irised in toward nothingness.
Nor did the Vanishing Lady honor either his disappearance or his captors’ with even one last glance as she impatiently shifted the brass tube to her other nostril and applied it to an edge of the diminished pile of crystals outspread on the white packet paper, the sight of which had instantly recalled to her mind the use of that tube and much more besides, not all of which she was tickled to relearn: the sullen waitings for Artie Stensor, her own entrapment by the thirteenth floor, the finding of Artie there in his new and degenerate imprisoned form, the sessions that reduced her also to such a form, her deal with the reigning homunculi, the three services (or was it four?) she’d promised them, the luring and entrapment of the other two tenants. She put all that out of her mind as she inhaled slowly, very evenly, and deeply, the mouth of the brass tube like that of some tiny reaping machine eating its way up and down the edge of the coke or “snow” or whatever else you might call the sovereign diamond sparkling dream drug, until the paper was empty.

BOOK: Selected Stories by Fritz Leiber
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