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Authors: Marge Piercy

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BOOK: Made in Detroit
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Whatever I love you try

to love. What threatens me

you stand on guard. We

talk and we talk but it

never wears out. Together

we lay out a feast of love.

They come, they go in the space of a breath

We are told on certain days and nights

the dead are close to us. Yet I find

Shalimar perfume, cinnamon, roasting

chicken can summon them, so that

my grandmother stands just behind me,

my mother sits at my vanity staring

into her vanished face.

If like Orpheus I try to turn to them,

seize their presence, shuffle unanswered

questions before them, cards on a table

faceup, they wisp away like the scent

that brought them. If I think of them,

remembering a dress, a laugh rising

like smoke to the ceiling

they stay away. They come when

they choose and leave so quickly

I wonder if it happened. Sometimes

I hear my mother’s voice behind

me, commenting on my cooking,

my clothing. Grandma has come

like Eliyahu on Pesach,

stood for a moment over the laden

table and left again. Two of my cats

came back to visit, ever so briefly.

What do they want, these dead

ones that never linger? They tease,

perhaps, or have only as much energy

as a candle that burns itself out.

In storms I can hear the surf a mile away

You may love the ocean. Never boring,

always in motion, sliding up the shingle

then sucked back in, waves with manes

of white lions’ lashing at the shore, waves

standing like a bear tearing at the dunes.

You may love the ocean, but it does

not love you back. It would as soon eat

you as keep you afloat. Perhaps it

loves the great whales, perhaps it

likes walruses, but it’s always hungry.

You may love the ocean like my friend

who at eighty will go far out twice

a day if he can get a tourist to pay

his gas. He likes to be out of sight

of land. The sea lurks under his boat

waiting. The ocean is always beautiful

here in all weathers it churns up. It

does not approve of land and wants to

take it back. Someday it will. Even

the hill I live on: sandy bottom.

Tides will stir the ashes of my mother

and the tiny bones of my cats. My grave

will be home to crabs. Who is to say

that is not just that the sea take into

itself what long ago it gave us.

ACKNOWLEDGMENTS

“Made in Detroit,” Napalm Health Spa, 2012.

“The frontroom,”
Paterson Literary Review
, Vol. 39, 2011–2012.

“Detroit, February 1943,”
Third Wednesday
, Vol. 2, Issue 2, Spring 2010.

“Things that will never happen here again,”
Poet Lore
, Vol. 108, No. 1/2, Spring/Summer 2013.

“Detroit fauna,”
Third Wednesday
, Vol. 3, Issue 2, 2011.

“Family vacation to Yellowstone,” “Remnants still visible,” “Hard rain and potent thunder,” Connotation Press, Congeries with John Hoppenthaler, Vol. II, Issue IV, December 2010.

“The rented lakes of my childhood,”
Third Wednesday
, Vol. 5, Issue 3, Summer 2013.

“Thirteen,” “By the river of Detroit,”
Third Wednesday
, Vol. 3, Issue 2, 2011.

“She held forth,”
Paterson Literary Review
, Vol. 39, 2011–2012.

“The scent of apple cake,” “Ashes in their places,”
San Diego Poetry Annual
, 2012–13.

“City bleeding,” “My time in better dresses,”
Third Wednesday
, Vol. VIII, No. 1, Winter 2014.

“Mehitabel & me” is forthcoming in
Long Island Sounds Anthology
.

“The street that was,”
Fifth Wednesday
, Issue 12, Fall 2012.

“What my mother gave me,” “Ashes in their places,”
San Diego Poetry Annual
, 2011–12.

“Our neverending entanglement,”
The Pinch
, Spring 2012.

“Ashes in their places,”
San Diego Poetry Annual
, 2011–12.

“January orders,” “We have come through,”
The Poetry Porch
, Spring 2013.

“How I gained respect for night herons,”
Elohi Gadugi Journal
, Summer 2013.

“The constant exchange,”
Cape Cod Poetry Review
, Vol. II, Winter 2014.

“May opens wide,”
Poetsusa.com
, 2012.

“Wisteria can pull a house down,” “The suicide of dolphins,”
Atlanta Review
, Spring/Summer, Vol. XX, Issue 2.

“June 15th, 8 p.m.,”
San Pedro River Review
, Special Issue: Harbors and Harbor Towns, Summer 2013.

“Ignorance bigger than the moon,” “Even if we try not to let go,” Ibbetson Street Press, No. 4, December 2013.

“Little house with no door,”
Broadkill Review
, Vol. 7, Issue 4, July/August 2013.

“Why did the palace of excess have cockroaches?”
Haibun Today
, Vol. 7, No. 3, September 2013.

“There were no mountains in Detroit,”
Haibun Today
, Vol. 7, No. 11, December 2014.

“But soon there will be none,”
Paterson Literary Review
, Issue 42, 2014–15.

“Missing, missed,”
Haibun Today
, Vol. 8, No. 3, September 2014.

“Death’s charming face,”
Spillway
, Issue 19, Fall 2012.

“The frost moon,”
Ibbetson Street
, No. 31, Summer 2012.

“December arrives like an unpaid bill,”
Red Thread, Gold Thread
, Vol. 2, 2012.

“The poor are no longer with us,” “These bills are long unpaid,”
Monthly Review
, Vol. 64, No. 1, May 2012.

“Don’t send dead flowers,”
Revolution House
, Vol. 2.1, April 2012.

“A hundred years since the Triangle Fire,”
Monthly Review
, Vol. 62, Issue 11, 2011.

“Ethics for Republicans,”
On the Issues Magazine
, Winter 2012.

“Another obituary,”
Ms. Magazine
, April 2012.

“What it means,”
Monthly Review
, Vol. 64, No. 4, September 2012.

“How have the mighty …”
Tryst
, October 2010.

“We know,”
Eco-Poetry.org
, November 2013.

“The passion of a fan,”
Literary Arts Annual
, 2013.

“In pieces,”
So It Goes: The Literary Journal of the Kurt Vonnegut Memorial Library
, 2013.

“Ghosts,”
Monthly Review
, Vol. 65, March 2013.

“One of the expendables,”
Cape Cod Times
, May 28, 2013.

“Let’s meet in a restaurant,”
Visions International
, Winter 2014.

“Come fly without me,”
Ibbetson Street
, No. 28, November 2010.

“Hope is a long, slow thing,”
The Progressive
, Vol. 76, No. 12/1, December 2012/January 2013.

“The late year,”
Midstream
, September/October 2002.

“Erev New Years,”
Midstream
, Summer 2011.

“Head of the year,” The ’98 Lunar Calendar, September 1998.

“Late that afternoon they come,”
Midstream
, Vol. 58, Summer 2012.

“The wall of cold descends,”
Spillway
, Issue 19, Fall 2012.

“How she learned,”
Prism, Journal for Holocaust Educators
, Vol. 3, Spring 2011.

“Working at it,”
Jewish Women’s Literary Annual
, Vol. 9, 2013.

“The order of the seder,”
Midstream
, Vol. 50, No. 3, April 2004.

“The two cities,”
Tikkun
, Israel at 60, May/June 2008.

“Where silence waits,”
Moment
, 2011.

“I say Kaddish but still mourn,”
Poetica Magazine
, Summer 2012.

“Little diurnal tragedies,”
Sugar Mule
, Issue 39, November 2011.

“The next evolutionary step,”
New Guard Literary Review
, Vol. III, 2014.

“That was Cobb Farm,”
december
magazine, Vol. 25.2, Fall/Winter 2014.

“They meet,”
Third Wednesday
, Winter 2013.

“A cigarette left smoldering,”
Potomac Review
, 2013.

“Discovery motion,” “Different voices, one sentence,”
Softblow
, January 2012.

“Sun in January,”
Muddy River Poetry Review
, Fall 2013.

“Little rabbit’s dream song,” “Cotton’s wife,”
Ibbetson Street
, No. 31, Summer 2012.

“That summer day,”
The Mas Tequila Review
, Issue 5, Fall 2012.

“Insomniac prayer at 2 a.m.,”
Poetry Porch
, 2014.

“The body in the hot tub,”
San Diego Poetry Annual
, 2011–12.

“Looking back in utter confusion,” “What do they expect?”
Superstition Review
, Issue 9, 2012.

“In the Peloponnesus one April afternoon,”
Green Mountain Review
, Vol. 24, No. 1, 2011.

“The end not yet in sight,”
The San Pedro River Review
, Vol. 4, No. 5, Fall 2012.

“Loving clandestinely,” “We used to be close, I said,”
Marsh Hawk Review
, Spring 2014.

“The visible and the in-,”
New Mirage Journal
, 2011.

“What’s left” (published as “What remains”),
Contemporary World Literature
, Vol. 4, Spring 2011.

“Corner of Putnam and Pearl,”
San Pedro River Review
, Vol. 5, No. 1, Spring 2013.

“Bang, crash over,”
Blue Lyra Review
, July 2012.

“Sins of omission,”
Calyx
, Vol. 19, No. 1, Winter 1999–2000.

“Even if we try not to let go,”
december
magazine, Vol. 24, 2013.

“Marinade for an elderly rabbit,”
5 AM
, Issue 35, Summer 2012.

“Contemplating my breasts,”
Muddy River Poetry Review
, Fall 2013.

“Words hard as stones,”
Marsh Hawk Review
, Fall 2010.

“Absence wears out the heart,”
Paterson Literary Review
, Issue 42, 2014–15.

“A republic of cats,”
Contemporary World Literature
, Vol. 4, Spring 2011.

“Decades of intimacy creating,”
Third Wednesday
, Spring 2013.

“A wind suddenly chills you,”
A Gathering of the Tribes
, Issue 13, 2011.

“Why she frightens me,”
Paterson Literary Review
, Issue 41, 2013–14.

“My sweetness, my desire,”
Broadkill Review
, Vol. 8, Issue 5, Fall 2014.

“They come, they go in the space of a breath,”
Paterson Literary Review
, No. 42, 2014.

“In storms I can hear the surf a mile away,”
Paterson Literary Review
, Issue 43, 2015–16.

A NOTE ABOUT THE AUTHOR

Marge Piercy is the author of eighteen previous poetry collections, seventeen novels and a book of short stories, four nonfiction books, two memoirs and one play. Her work has been translated into nineteen languages, and she has won many honors, including the Golden Rose, the oldest poetry award in the country. She lives on Cape Cod with her husband, Ira Wood, the novelist, memoirist, community radio interviewer, and essayist. She has given more than five hundred readings and lectures in the United States and abroad.

BOOK: Made in Detroit
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