Lipstick Traces (78 page)

“Theses on the Cultual Revolution” (Debord),
53

There’s a riot goin’ on
(Sly and the Family Stone),
38–39

Thérésa,
116
,
117
,
132
,
137
,
200

Theresa of Avila,
274

Thiers, Adolphe,
116

“32 Weeks” (Mekons),
403

This Year’s Model
(Costello),
4

Thompson, Gudrun,
84

Thompson, Jim,
193

Thompson, Richard,
78

Three Flames,
242

Thriller
(Jackson),
90–91
,
98
,
99
,
102–104

Thucydides,
325

Til, Sonny,
240–244
,
243

Time
magazine,
293

Tlingit,
364
,
368

“To Be Done with the Comforts of Nihilism” (Debord),
354

Tory Party,
109
,
125
,
130

Tour de feu, La
(review),
249

Tourraine, Alain,
395

Tous les chevaux du roi
(Bernstein),
327
,
378
,
392

Townshend, Pete,
1–2
,
53–54

Traité de bave et d’eternit.
See
Treatise on Slime and Eternity

Traité d’économie nuclaire
(Isou),
250

Traité de savoir-vivre à l’usage des jeunes générations.
See
Revolution of Everyday Life
, The

Treasure Island
(Stevenson),
360

Treatise on Slime and Eternity
(Isou),
228
,
300
,
310
,
317

Trip to the Moon, A
(Méliès),
310

Trocchi, Alexander,
17
,
162
,
358–360

Trotsky, Leon,
398

Trotskyism,
282
,
391

Trout Mask Replica
(Captain Beefheart),
61

Truffault, François,
181

Tucholsky, Kurt,
141

Tulsa
(Clark),
8

Turgenev, Ivan,
191

Turner, Big Joe,
402

“Tutti Frutti” (Little Richard),
88

Tzara, Tristan,
185–187
,
191
,
197
,
198
,
208
,
216
,
219
,
231
,
234
; in Cabaret Voltaire,
179–181
,
188–189
,
192–194
; Lefebvre and,
178
,
226
,
227

“Ü” (Kleenex),
5

Ubu Roi
(Jarry),
191
,
309

“Under the Bridges of Paris” (Morgenstern),
191

Union nationale des étudiants de France,
387

United Fruit Company,
372

Unité d’habitation, L’ (Marseilles),
346

University of California at Berkeley, Free Speech Movement at.
See
Free Speech Movement

Unknown Pleasures
(Joy Division),
5

Up, Ari,
35

Ur
(review),
258

Urban, Peter,
28
,
30
,
123

utopianism,
44
,
136
,
203
,
322
,
329
,
345–346
,
409

Vaché, Jacques,
310

van der Elsken, Ed,
ix
,
320
,
324
,
349–352
,
355

Vanderhaeghe, Guy,
328

Van der Leun, Gerard,
132

Vaneigem, Raoul,
62
,
68
,
117
,
123
,
133
,
156
,
223–224
,
265
,
321
,
377
,
386
,
406

Vargas Llosa, Mario,
177–178

Velvet Underground,
37
,
38
,
58
,
61
,
77

Ventura, Michael,
39

Verdun, Battle of,
192
,
213–214

Verlaine, Paul,
191
,
231

Veuillot, Louis,
115–116
,
137
,
139
,
200

Vian, Boris,
235

Vibranaires,
240

Vicious, Sid,
27
,
31
,
56
,
79
,
109
,
110

Vienet, René,
395
,
399

Vietnam War,
48
,
97
,
411

Village Voice,
279
,
285

Vincent, Gene,
34

Virgin records,
9

Visiteurs du soir, Les
(Carné),
312
,
313

Vollmer, Jurgen,
351
,
352

Voltaire,
190
,
198
von Stroheim, Erich,
300

Vox Pop,
199

Wajda, Andrzej,
96

“Wake Up” (Essential Logic),
5

Walesa, Lech,
96

Walker, Benjamin,
209

Wall Jumper, The
(Schneider),
70

Warhol, Andy,
186
,
213

Warner Bros.,
58

Warner Communications,
39–40

War of the End of the World, The
(Vargas Llosa),
177–178

Washouts Club,
282–284
,
286
,
287

Watts riot,
165–168
,
171
,
330
,
378

Wayne, John,
369

“We Are the World” (USA for Africa),
104
,
125

Wehara, Muddy,
72–73

Werewolf of Paris, The
(Endore),
118

Wertmuller, Lina,
43

Westerberg, Paul,
61

Westmoreland, General William,
48

“Where Were You?” (Mekons),
403

Whitby, Susan.
See
Logic
,
Lora

White, Mark,
404

White Light/White Heat
(Velvet Underground),
38

“White Riot”/“1977” (Clash),
10–11

Who,
1
,
44
,
56
,
61
,
77

“Whole Lot of Shakin’ Goin’ On” (Lewis),
59
,
205

Wild One, The
(Benedek),
246
,
251

Williamson, Sonny Boy,
55

Wilson, Colin,
359

Wilson, Edmund,
48
,
170–171

Wilson, Jackie,
11–12

Winterland Ballroom (San Francisco),
32–33
,
78–79
,
83
,
84
,
105
,
108
,
109
,
111–112
,
115

Wire,
5
,
68

Wolcott, James,
285

Wolman, Gil J,
ix
,
17
,
160
,
163
,
257
,
258
,
301
,
311
,
334
,
340
,
341
,
342
,
344–346
,
347
,
382
,
404
,
408
; in Chaplin attack,
316–317
; on détournement,
168
,
372
; exclusion from Lettrist International of,
346
,
348
; film by,
305–306
; and formation of Lettrist International,
315
,
331–332
; in
Hurlements,
309
,
310
; letter to Brau from,
323
,
325
,
326
,
354
; Lettrist International manifesto signed by,
339
; and publication of
Potlatch,
18
,
321
,
355
,
364
,
370
; sound poetry of,
255–257
,
303
,
305

World According to Garp, The
(Irving),
43

World War I,
179–182
,
184
,
204
,
211
,
236
; German victim of,
208

World War II,
68
,
158
,
192
,
239–240
,
266–268
,
283
,
348

X-ray Spex,
5
,
64
,
65
,
75
,
187
,
405

Youth Front,
250
,
254
,
309
,
333
,
338

Youth Uprising,
254
,
255
,
300

Zola, Emile,
268

“Zurich Chronicle” (Tzara),
191

Greil Marcus was born in San Francisco in 1945. He is the author of
Mystery Train: Images of America in Rock ’n’ Roll Music
(1975, 2008),
Dead Elvis: A Chronicle of a Cultural Obsession
(1991),
In the Fascist Bathroom: Punk in Pop Music, 1977–92
(originally titled
Ranters and Crowd Pleasers,
1993),
The Dustbin of History
(1995),
The Old, Weird America: The World of Bob Dylan’s Basement Tapes
(originally titled
Invisible Republic,
1997),
Double Trouble: Bill Clinton and Elvis Presley in a Land of No Alternatives
(2000),
‘The Manchurian Candidate’
(2002),
Like a Rolling Stone: Bob Dylan at the Crossroads
(2005), and
The Shape of Things to Come: Prophecy and the American Voice
(2006). He is the editor of
Stranded
(1979, 2008), Lester Bangs’s
Psychotic Reactions and Carburetor Dung
(1987),
Best Music Writing 2009
(2009), and, with Sean Wilentz,
The Rose and the Briar: Death, Love & Liberty in the American Ballad
(2004). With Werner Sollors, he is the editor of
A New Literary History of America,
published by Harvard in 2009.

Greil Marcus has written columns on music, film, books, and culture for the San Francisco
Express-Times, Rolling Stone, Politicks, New West, California,
the
Village Voice, Artforum, Interview, Salon,
the
New York Times, Esquire, City Pages,
and
The Believer.
In recent years he has taught at Berkeley, Princeton, the New School University in New York, and the University of Minnesota. He lives in Berkeley with his wife, Jenny Marcus.