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Authors: John Updike

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BOOK: Assorted Prose
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First Person
Singular
 
THE DOGWOOD TREE

A Boyhood

W
HEN
I
WAS BORN
, my parents and my mother’s parents planted a dogwood tree in the side yard of the large white house in which we lived throughout my boyhood. This tree, I learned quite early, was exactly my age, was, in a sense, me. But I never observed it closely, am not now sure what color its petals were; its presence was no more distinct that that of my shadow. The tree was my shadow, and had it died, had it ceased to occupy, each year with increasing volume and brilliance, its place in the side yard, I would have felt that a blessing like the blessing of light had been withdrawn from my life.

Though I cannot ask you to see it more clearly than I myself saw it, yet mentioning it seems to open the possibility of my boyhood home coming again to life. With a sweet damp rush the grass of our yard seems to breathe again on me. It is just cut. My mother is pushing the mower, to which a canvas catch is attached. My grandmother is raking up the loose grass in thick heaps, small green haystacks impregnated with dew, and my grandfather stands off to one side, smoking a cigar, elegantly holding the elbow of his right arm in the palm of his left hand while the blue smoke twists from under his mustache and dissolves in the heavy evening air—that misted, too-rich Pennsylvania air. My father is off, doing some duty in the town; he is a conscientious man, a schoolteacher and deacon, and also, somehow, a man of the streets.

In remembering the dogwood tree I remember the faintly speckled asbestos shingles of the chicken house at the bottom of our yard, fronting on the alley. We had a barn as well, which we rented as a garage, having no car of our own, and between the chicken house and the barn there was a narrow space where my grandfather, with his sly country
ways, would urinate. I, a child, did also, passing through this narrow, hidden-feeling passage to the school grounds beyond our property; the fibrous tan-gray of the shingles would leap up dark, silky and almost black, when wetted.

The ground in this little passage seems a mysterious trough of pebbles of all colors and bits of paper and broken glass. A few weeds managed to grow in the perpetual shadow. All the ground at the lower end of the yard had an ungrateful quality; we had an ash heap on which we used to burn, in an extravagant ceremony that the war’s thrift ended, the preceding day’s newspaper. The earth for yards around the ashpile was colored gray. Chickens clucked in their wire pen. My grandmother tended them, and when the time came, beheaded them with an archaic efficiency that I don’t recall ever witnessing, though I often studied the heavy log whose butt was ornamented with fine white neck-feathers pasted to the wood with blood.

A cat crosses our lawn, treading hastily on the damp grass, crouching low with distaste. Tommy is the cat’s name; he lives in our chicken house but is not a pet. He is perfectly black; a rarity, he has no white dab on his chest. The birds scold out of the walnut tree and the apple and cherry trees. We have a large grape-arbor, and a stone birdbath, and a brick walk, and a privet hedge the height of a child and many bushes behind which my playmates hide. There is a pansy bed that in winter we cover with straw. The air is green, and heavy, and flavored with the smell of turned earth; in our garden grows, among other vegetables, a bland, turniplike cabbage called kohlrabi, which I have never seen, or eaten, since the days when, for a snack, I would tear one from its row with my hands.

History

My boyhood was spent in a world made tranquil by two invisible catastrophes: the Depression and World War II. Between 1932, when I was born, and 1945, when we moved away, the town of Shillington changed, as far as I could see, very little. The vacant lot beside our home on Philadelphia Avenue remained vacant. The houses along the street were neither altered nor replaced. The high-school grounds, season after season, continued to make a placid plain visible from our rear windows. The softball field, with its triptych backstop, was nearest us. A
little beyond, on the left, were the school and its boilerhouse, built in the late 1920s of the same ochre brick. In the middle distance a cinder track circumscribed the football field. At a greater distance there were the tennis courts and the poor farm fields and the tall double rows of trees marking the Poorhouse Lane. The horizon was the blue cloud, scarred by a gravel pit’s orange slash, of Mount Penn, which overlooked the city of Reading.

A little gravel alley, too small to be marked with a street sign but known in the neighborhood as Shilling Alley, wound hazardously around our property and on down, past an untidy sequence of back buildings (chicken houses, barns out of plumb, a gunshop, a small lumber mill, a shack where a blind man lived, and the enchanted grotto of a garage whose cement floors had been waxed to the lustre of ebony by oil drippings and in whose greasy-black depths a silver drinking fountain spurted the coldest water in the world, silver water so cold it made your front teeth throb) on down to Lancaster Avenue, the main street, where the trolley cars ran. All through those years, the trolley cars ran. All through those years Pappy Shilling, the surviving son of the landowner after whom the town was named, walked up and down Philadelphia Avenue with his thin black cane and his snow-white bangs; a vibrating chain of perfect-Sunday-school-attendance pins dangled from his lapel. Each autumn the horse-chestnut trees dropped their useless, treasurable nuts; each spring the dogwood tree put forth a slightly larger spread of blossoms; always the leaning walnut tree in our back yard fretted with the same tracery of branches the view we had.

Within our house, too, there was little change. My grandparents did not die, though they seemed very old. My father continued to teach at the high school; he had secured the job shortly after I was born. No one else was born. I was an only child. A great many only children were born in 1932; I make no apologies. I do not remember ever feeling the space for a competitor within the house. The five of us already there locked into a star that would have shattered like crystal at the admission of a sixth. We had no pets. We fed Tommy on the porch, but he was too wild to set foot in the kitchen, and only my grandmother, in a way wild herself, could touch him. Tommy came to us increasingly battered and once did not come at all. As if he had never existed: that was death. And then there was a squirrel, Tilly, that we fed peanuts to; she became very tame, and under the grape arbor would take them from our hands. The
excitement of those tiny brown teeth shivering against my fingertips: that was life. But she, too, came from the outside, and returned to her tree, and did not dare intrude in our house.

The arrangement inside, which seemed to me so absolute, had been achieved, beyond the peripheries of my vision, drastically and accidentally. It may, at first, have been meant to be temporary. My father and grandfather were casualties of the early thirties. My father lost his job as a cable splicer with the telephone company; he and my mother had been living—for how long I have never understood—in boardinghouses and hotels throughout western Pennsylvania, in towns whose names (Hazleton, Altoona) even now make their faces light up with youth, a glow flowing out of the darkness preceding my birth. They lived through this darkness, and the details of the adventure that my mother recalls—her lonely closeted days, the games of solitaire, the novels by Turgenev, the prostitutes downstairs, the men sleeping and starving in the parks of Pittsburgh—seem to waken in her an unjust and unreasonable happiness that used to rouse jealousy in my childish heart. I remember waiting with her by a window for my father to return from weeks on the road. It is in the Shillington living room. My hands are on the radiator ridges, I can see my father striding through the hedge toward the grape arbor, I feel my mother’s excitement beside me mingle with mine. But she says this cannot be; he had lost his job before I was born.

My grandfather came from farming people in the south of the county. He prospered, and prematurely retired; the large suburban house he bought to house his good fortune became his fortune’s shell, the one fragment of it left him. The two men pooled their diminished resources of strength and property and, with their women, came to live together. I do not believe they expected this arrangement to last long. For all of them—for all four of my adult guardians—Shillington was a snag, a halt in a journey that had begun elsewhere. Only I belonged to the town. The accidents that had planted me here made uneasy echoes in the house, but, like Tilly and Tommy, their source was beyond my vision.

Geography

As in time, so it was in space. The town was fringed with things that appeared awesome and ominous and fantastic to a boy. At the end of our street there was the County Home—an immense yellow poorhouse, set
among the wide orchards and lawns, surrounded by a sandstone wall that was low enough on one side for a child to climb easily, but that on the other side offered a drop of twenty or thirty feet, enough to kill you if you fell. Why this should have been, why the poorhouse grounds should have been so deeply recessed on the Philadelphia Avenue side, puzzles me now. What machinery, then, could have executed such a massive job of grading I don’t know. But at the time it seemed perfectly natural, a dreadful pit of space congruent with the pit of time into which the old people (who could be seen circling silently in the shade of the trees whose very tops were below my feet) had been plunged by some mystery that would never touch me. That I too would come to their condition was as unbelievable as that I would really fall and break my neck. Even so, I never acquired the daring that some boys had in racing along the top of the wall. In fact—let it be said now—I was not a very daring boy.

The poorhouse impinged on us in many ways. For one thing, my father, whose favorite nightmare was poverty, often said that he liked living so close to a poorhouse; if worse came to worse, he could walk there. For another, the stench of the poorhouse pigs, when the wind was from the east, drifted well down Philadelphia Avenue. Indeed, early in my life the poorhouse livestock were still herded down the street on their way to the slaughterhouse on the other side of town. Twice, in my childhood, the poorhouse barn burnt, and I remember my father (he loved crowds) rushing out of the house in the middle of one night, and my begging to go and my mother keeping me with her, and the luckier, less sheltered children the next day telling me horrific tales of cooked cows and screaming horses. All I saw were the charred ruins, still smoldering, settling here and there with an unexpected crackle, like the underbrush the morning after an ice storm.

Most whiffs of tragedy came, strangely, from the east end of the street. I remember two, both of them associated with the early morning and with the same house a few doors away in the neighborhood. When I was a baby, a man was run over and crushed by a milk wagon—a horse-drawn milk wagon. It had happened within sight of our windows, and I grew to know the exact patch of asphalt, but could never picture it. I believed all horse-drawn milk wagons were as light as the toy one I had; by the time I understood about this accident they had vanished from the streets. No matter how many times I visited the patch of asphalt, I could not understand how it had happened. And then, the family that succeeded
the widow in her house—or it may have been in the other side; it was a brick semi-detached, set back and beclouded by several tall fir or cedar trees—contained a young man who, while being a counsellor at a summer camp, had had one of his boys dive into shallow water and, neck broken, die in his arms. The young counsellor at dawn one day many months later put a bullet through his head. I seem to remember hearing the shot; certainly I remember hearing my parents bumping around in their bedroom, trying to locate what had wakened them.

Beyond the poorhouse, where Philadelphia Avenue became a country lane, and crossed a little brook where water cress grew, there was a path on the right that led to the poorhouse dam. It was a sizable lake, where people fished and swam. Its mud bottom bristled with broken bottles and jagged cans. A little up from one of its shores, the yellow walls and rotten floor of the old pesthouse survived. Beyond the lake was a woods that extended along the south of the town. Here my parents often took me on walks. Every Sunday afternoon that was fair, we would set out. Sun, birds, and treetops rotated above us as we made our way. There were many routes. Farther down the road, toward Grille, another road led off, and went past a gravel cliff and sad little composition-shingled farmhouses whose invisible inhabitants I imagined as gravel-colored skeletons. By way of a lane we could leave this road and walk down toward the dam. Or we could walk up by the dam until we struck this road, and walk on until we came to a road that took us back into the town by way of the cemetery. I disliked these walks. I would lag farther and farther behind, until my father would retrace his steps and mount me on his shoulders. Upon this giddy, swaying perch—I hesitated to grip his ears and hair as tightly as I needed to—I felt as frightened as exultant, and soon confusedly struggled to be put down. In the woods I would hurl myself against dead branches for the pleasure of feeling them shatter and of disturbing whatever peace and solace my parents were managing to gather. If, at moments, I felt what they wanted me to feel—the sweet moist breath of mulching leaves, the delicate scratch of some bird in the living silence, the benevolent intricacy of moss and rocks and roots and ferns all interlocked on some bank torn by an old logging trail—I did not tell them. I was a small-town child. Cracked pavements and packed dirt were my ground.

BOOK: Assorted Prose
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